HEXA are Lawrence English & Jamie Stewart – they met in 2009 and initially bonded through a mutual admiration of affective sound; it wasn’t long before the pair of them were discussing a possible collaboration.
In 2015, Brisbane’s Gallery Of Modern Art presented David Lynch : Between Two Worlds, a major retrospective of Lynch’s works across painting, sculpture, installation and photography. To celebrate this retrospective the curator, José Da Silva (along with David Lynch & his studio) developed a number of commissions to coincide with the exhibition. This album is the result of one such commission.
So, what can you expect? “Machines and smoke and fear” essentially. Lynch grew up in the rural Northwest of the United States of America – there were no factories there at all.
Lynch cites: “To me, the ideal factory location has no real nature, except winter-dead black trees and oil-soaked earth. Time disappears when I’m shooting in a factory, it’s really beautiful.” This is exactly what HEXA have managed to capture in their album, Factory Pictures. A work that makes time stand still invokes cold, dead machinery. This album induced a quiet panic to me, the listener.
The use of multi-layered samples and processed sounds seem to fit in with HEXA’s aesthetic of affective sound – I was left shocked by the power of the assault that this albums wields.
Released on November 4th 2016 as a (colour / black) LP and Download, this album took me out of my comfort zone. Whilst not all music is meant as a balm – Factory Photographs shook me out of my complacency.